2019 Results and 2020 - 2021 business plan
29th September, 2020
AGENDA
1 The Group | 2 Key Facts | 3 Our Roadmap |
4 Distribution | 5 Production | 6 2018 Results and |
2021 targets |
2
1. THE GROUP
Two mainstream areas of activity
Distribution | Production | |||
• | Theatrical | • | Production | |
• | Free-TV | • | Co-production | |
• | Pay-Tv | • | Executive production | |
• | Home Video | • | International co-production | |
• | Digital | • | TV series production | |
• International TV series co-production | ||||
• | International executive production | |||
service | 4 |
A History of Growth
2001 | 2002 | 2007 | 2009 | 2013 | 2014 | 2015 | 2016 | 2017 | 2018 | 2019 | 2020 | ||||||||||||||||||||||
IPO | |||||||||||||||||||||||||||||||||
Bulgari becomes | Big Hits: | ||||||||||||||||||||||||||||||||
relevant shareholder | |||||||||||||||||||||||||||||||||
First Theatrical | La La Land | ||||||||||||||||||||||||||||||||
Big Hit: | |||||||||||||||||||||||||||||||||
Wonder | |||||||||||||||||||||||||||||||||
Established | Distribution: | The Wolf of | |||||||||||||||||||||||||||||||
The Post | |||||||||||||||||||||||||||||||||
Traffic | |||||||||||||||||||||||||||||||||
1989 | First Movie | Wall Street | |||||||||||||||||||||||||||||||
Big Hits: | |||||||||||||||||||||||||||||||||
Production: | First Acquisition | Big Hit: | |||||||||||||||||||||||||||||||
Green Book | |||||||||||||||||||||||||||||||||
Generazione | The Hateful Eight | ||||||||||||||||||||||||||||||||
After | |||||||||||||||||||||||||||||||||
1000 Euro | |||||||||||||||||||||||||||||||||
First TV Format: | First Executive | First International | Knives Out | ||||||||||||||||||||||||||||||
Big Hits: | |||||||||||||||||||||||||||||||||
Executive Production: | Big Hits: | ||||||||||||||||||||||||||||||||
Indovina chi Viene | |||||||||||||||||||||||||||||||||
Productions: | 1917 | ||||||||||||||||||||||||||||||||
Established | John Wick 2 | Perfetti Sconosciuti | |||||||||||||||||||||||||||||||
a Cena | Amiche Mie | ||||||||||||||||||||||||||||||||
1996 | Gli anni | ||||||||||||||||||||||||||||||||
First | La Pazza Gioia | ||||||||||||||||||||||||||||||||
Amore 14 | più belli | ||||||||||||||||||||||||||||||||
First TV Format: | Co -Productions: | First TV Series | |||||||||||||||||||||||||||||||
Ti sposo ma non troppo | |||||||||||||||||||||||||||||||||
Viaggio in Italia | Production: | ||||||||||||||||||||||||||||||||
(Ballarò) | Ti Ricordi di Me | Immaturi |
5
Italy's largest independent distributor
Box Office 2016 - All Market - LFG pro forma | Box Office 2017 - All Market - LFG pro forma | Box Office 2018 - All Market - LFG pro forma | |||||||
Distributor | Market Share | Distributor | Market Share | Distributor | Market Share | ||||
Warner Bros Italia SpA | 18,7% | Warner Bros Italia SpA | 19,8% | WARNER BROS ITALIA | 19,4% | ||||
Medusa Film SpA | 12,3% | Universal Srl | 18,5% | WALT DISNEY S.M.P. ITALIA | 14,8% | ||||
Walt Disney SMP Italia | 13,7% | Walt disney SMP Italia | 14,0% | UNIVERSAL | 14,7% | ||||
Universal Srl | 11,7% | 20th Century FOX italia SpA | 9,8% | 20TH CENTURY FOX ITALIA | 12,0% | ||||
20th Century FOX italia SpA | 10,4% | Leone Film Group SpA | 7,6% | LEONE FILM GROUP S.P.A. | 7,5% | ||||
Leone Film Group SpA | 7,7% | 01 Distribution | 6,1% | LUCKY RED DISTRIB. | 5,1% | ||||
01 Distribution | 4,6% | Lucky Red | 4,4% | MEDUSA FILM | 4,3% | ||||
Lucky Red | 5,4% | Medusa Film SpA | 4,1% | 01 DISTRIBUTION | 4,1% | ||||
Eagle Pictures | 3,2% | Eagle Pictures | 1,9% | VISION DISTRIBUTION | 3,2% | ||||
BIM Distribution Srl | 1,7% | Videa CDE SpA | 1,9% | EAGLE PICTURES | 3,1% | ||||
Notorious Pict. SpA | 1,6% | Notorious Pict. SpA | 1,9% | NOTORIOUS PICT. | 2,5% | ||||
M2 Pictures Srl | 1,4% | Nexo Digital SpA | 1,2% | NEXO DIGITAL | 1,4% | ||||
Others | 7,6% | Others | 8,8% | Others | 8,0% | ||||
Total | 100,0% | Total | 100,0% | Total | 100,0% | ||||
Box Office 2016 - Italian - LFG pro forma | Box Office 2017 - Italian - LFG pro forma | Box Office 2018 - Italian - LFG pro forma | |||||||
Distributor | Market Share | Distributor | Market Share | Distributor | Market Share | ||||
Medusa Film SpA | 27,1% | Leone Film Group SpA | 20,0% | LEONE FILM GROUP S.P.A. | 19,3% | ||||
Leone Film Group SpA | 16,9% | 01 Distribution | 16,2% | LUCKY RED DISTRIB. | 12,9% | ||||
01 Distribution | 10,0% | Lucky Red | 11,6% | MEDUSA FILM | 10,9% | ||||
Lucky Red | 11,8% | Medusa Film SpA | 10,9% | 01 DISTRIBUTION | 10,6% | ||||
Eagle Pictures | 7,1% | Eagle Pictures | 5,1% | VISION DISTRIBUTION | 8,2% | ||||
BIM Distribution Srl | 3,8% | Videa CDE SpA | 5,0% | EAGLE PICTURES | 7,8% | ||||
Notorious Pict. SpA | 3,4% | Notorious Pict. SpA | 5,0% | NOTORIOUS PICT. | 6,3% | ||||
M2 Pictures Srl | 3,2% | Nexo Digital SpA | 3,1% | NEXO DIGITAL | 3,5% | ||||
Others | 16,7% | Others | 23,1% | Others | 20,5% | ||||
Total | 100,0% | Total | 100,0% | Total | 100,0% | ||||
Box Office 2019 - All Market - LFG pro forma
Distributor | Market Share |
WALT DISNEY S.M.P. ITALIA | 26,8% |
WARNER BROS ITALIA | 21,6% |
01 DISTRIBUTION | 6,8% |
LEONE FILM GROUP S.P.A. | 5,8% |
20TH CENTURY FOX ITALIA | 5,3% |
UNIVERSAL | 5,1% |
MEDUSA FILM | 5,1% |
VISION DISTRIBUTION | 5,0% |
LUCKY RED DISTRIB. | 4,9% |
EAGLE PICTURES | 3,0% |
NOTORIOUS PICT. | 2,7% |
NEXO DIGITAL | 1,2% |
M2 PICTURES | 0,8% |
Others | 6,0% |
Totale | 100,0% |
Box Office 2019 - ITA Distributors - LFG pro forma | |
Distributor | Market Share |
01 DISTRIBUTION | 16,5% |
LEONE FILM GROUP S.P.A. | 14,0% |
EAGLE PICTURES | 7,4% |
MEDUSA FILM | 12,3% |
VISION DISTRIBUTION | 12,2% |
LUCKY RED DISTRIB. | 11,8% |
NOTORIOUS PICT. | 6,3% |
Others | 19,5% |
Totale | 100,0% |
Source: Cinetel Annual Report 2014, 2015, 2016, 2017; LFG estimates including Executive Productions | 6 |
Two companies creating strong synergies
National Distribution
Co-Production
National Movie Production
Executive Production
National TV Series Production
International TV Series Production
International Co-Production
International Executive Production
• | Connect production and distribution | • | Expand and diversify client base | 7 |
• | Leverage on same distribution partnerships | • | Stronger management team | |
Leone Film Group Top Hits since IPO 1/2
Wonder (2017)
Box Office (1)
12,4
The Wolf of Wall Street (2013)
12,0
Green Book (2019)
The Hateful Eight (2016)
La La Land (2017)
10,1
8,5
8,3
8
(1) Source: Cinetel, data as of June 15th 2020 in € ml
Leone Film Group Top Hits since IPO 2/2
Box Office (1)
1917 (2020)
6,7 |
The Post (2018)
After (2019)
Mia & the white lion (2019)
6,5
6,4
5,7
Cena con delitto - Knives Out (2019)
5,2
9
(1) Source: Cinetel, data as of June 15th 2020 in € ml
Leone Film Group Library
- Top independently owned Italian library
- Almost 500 movies
- Mostly composed of recent titles
10
Snapshot on Sergio Leone's library
- Cult movies on which LFG commercializes perpetual distribution rights (1)
(1) With the exception of 'Once Upon a Time in America' whose rights expire in 2035 | 11 |
Lotus Top Hits
Perfetti Sconosciuti (2016) | Box Office (1) | ||||||||||||||||||||||||
17,4 | |||||||||||||||||||||||||
Immaturi (2011) | 15,2 | ||||||||||||||||||||||||
Immaturi - Il Viaggio (2012)
A Casa Tutti Bene (2018)
Tutta Colpa di Freud (2014)
11,8
9,2 7,9
La Pazza Gioia (2016)
6,2
(1) Source: Cinetel, data as of June 15th 2020 in € ml | 12 |
Lotus - TV Series Production
TUTTA COLPA DI FREUD
La Serie
Rolando Ravello
SHOOTING
Under Development
A CASA TUTTI BENE - LA SERIE | UONDERBOYS | VERMICINO |
Gabriele Muccino | Barbara Petronio & Gabriele | (Working Title) |
Galli | ||
13
Sales Distribution Cycle
Theatrical | Home Video | Pay Per View/TVOD | 1st Pay TV | 2st Pay TV | Free TV | 2st Pay TV | Library | ||
Start | 105 days | 105 days | 180 days | (1st window) | 25 | th | Month | (2nd window) | …til the end |
19th Month | 49 Month | ||||||||
Past
now
14
Out Goals:
Maintaining the leadership among Italians Independent movie producers and distributors
Scaling our successful business model
Distribute top US | Produce top | Continue |
independent | commercial and | expanding our |
blockbusters | high-quality movie, | production and |
TV series, along | distribution | |
top-notch Italian | agreements | |
directors |
Infrastructure | Content | Brand | ||
15
2. KEY FACTS
Key highlights
Content
Acquisition
Strong relationships with all US independent producers, including Lionsgate, Amblin and others.
Acquisition team devoted to select and negotiate the best movies on the market
Content
Distribution
Multi-year agreement with RAI for at least 10 movies per year
Long-term sales output deal with Amazon and Telecom Italia
Sales to Sky, NETFLIX, Telecom Italia, iTunes, Google Play, etc.
Content
Production
Signed agreements with top directors and screen players like Paolo Genovese, Gabriele Muccino, Maccio Capatonda, Giuseppe Tornatore, Rolando Ravello
17
2019 - 2020 Main Releases - Distribution
Title | Box Office (1) |
Green Book | 10.1 M€ |
1917 | 6.7 M€ |
After | 6.4 M € |
Mia and the white lion | 5.7 M € |
Knives Out | 5.2 M € |
18
(1) Source: Cinetel, data as of August 31st 2020 in € ml
3. OUR ROADMAP
Distribution - Titles snapshot
(1/2)
AFTER 2
Director: Roger Kumble
Cast: Josephine Langford, Hero Fiennes Tiffin
KILLER OF THE FLOWERS MOON
Director: Martin Scorsese
Cast: Leonardo Di Caprio
THE MARKSMAN
Director: Robert Lorenz
Cast: Liam Neeson, Katheryn Winnick
BIOS
Director: Miguel
Sapochnik
Cast: Tom Hanks
INSTRUMENTAL
Director: James Marsh
Cast: Andrew Garfield
LET THERE BE ROCK
Director: TBD
Cast: Anthony Hopkins
THE GENTLEMEN
Director: Guy Ritchie
Cast: Matthew
McConaughey, Collin
Farrel, Hugh Grant
MISSING LINK
Director: Chris Butler
Cast: Hugh Jackman, Zach Galifianakis
UNHINGED
Director: Derrick Borte
Cast: Russell Crowe
20
Distribution - Titles snapshot
(2/2)
CASH TRUCK
Director: Guy Ritchie
Cast: Jason Statham,
Scott Eastwood, Josh
Hartnett
THE GOOD HOUSE
Director: Maya Forbes, Wallace Wolodarsky
Cast: Morena Baccarin,
Sigourney Weaver, Kevin
Kline
CHAOS WALKING
Director: Doug Liman
Cast: Tom Holland, Daisy
Ridley
COME AWAY
Director: Brenda Chapman
Cast: Angelina Jolie,
Michael Caine
LOUIS WAYN
Director: Will Sharpe
Cast: Benedict Cumberbatch,
Claire Foy, Andrea
Riseborough
355
Director: Simon Kinberg
Cast: Jessica Chastain, Penelope Cruz, Lupita
Nyong'o, Diane Kruger
HYPNOTIC
Director: Robert Rodriguez
Cast: Ben Affleck
THE WOLF AND THE LION
Director: Gilles de Maistre
Cast: Graham Greene
21
Production - selection of Movies completed or in post- production
TUTTA COLPA DI FREUD - LA SERIE
Director: Rolando Ravello
Cast: Claudio Bisio
SUPEREROI
Director: Paolo Genovese
Script: Paolo Genovese
Cast: Jasmine Trinca, Alessandro
Borghi
THE LAND OF DREAMS
Director: Nicola Abbatangelo
Cast: Caterina Shulha,
George Blagden, Edoardo
Pesce
22
Production - Italian and International Movies in production Snapshot
IL RAGAZZO BLU
Director: Marco Pontecorvo
Cast: Anna Foglietta
MIO FRATELLO, MIA SORELLA
Script: Paola Mammini, Roberto Capucci
Director: Roberto Capucci
Cast: Alessandro Preziosi, Claudia Pandolfi
PER TUTTA LA VITA
Script: Paolo Genovese, Paolo Costella
Director: Paolo Costella
Cast: Fabio Volo, Ambra Angiolini
23
Production - Italian and International Movies Under Development Snapshot
IL NUOVO FILM DI PAOLO GENOVESE | IL NUOVO FILM DI GABRIELE MUCCINO | |
IL NUOVO FILM DI STEFANO SOLLIMA | IL NUOVO FILM DI PAOLO VIRZÌ | |
24
4. DISTRIBUTION
5. DISTRIBUTION
Business structure
Content Acquisition | DISTRIBUTION |
Acquisition of new rights for 15-25 years
Theatrical release highly relevant to set movie revenues along right exploitment period
After first exploitment (about 3 years) transition to "library"
The high growth of the past years is keeping the Library
'young' with many years of
exploitment ahead
Library
Right management
Acquisition of direct-to- video movies
Resilient cash generation
Asset rotation as value driver
26
Theatrical Distribution structure
Acquisition
DreamWorks | Summit | Amblin | Red Granite | Voltage | IM Global | Bloom | Film Nation | Sierra | STX |
Leone Film Group
Theatrical co-distribution: joint decisions on marketing plan
01 | The Space | Universal | Medusa | Eagle | Lucky Red |
Distribution | |||||
Theatres
Free TV
RAI, Mediaset,
Discovery,
CIELO, RSI
Pay TV
SKY, AXN
Digital
Netflix,
Telecom,
iTunes,
Amazon, Chili,
Wuaki, Infinity
27
Theatrical Distribution market update
Tickets by Months
14.000.000
12.000.000
10.000.000 | Total Box Office 2019: 635,5 ml | ||||||
(+14,35% vs 2018) | |||||||
8.000.000 | |||||||
6.000.000 | |||||||
4.000.000 | Total Tickets 2019: 97,6 ml | ||||||
2.000.000 | |||||||
(+13,55% vs 2018) | |||||||
- | |||||||
JAN FEB MAR APR MAY | JUN JUL AGO SEP OCT NOV DEC | ||||||
2019 Tickets | 2018 Tickets | ||||||
Tickets by Day
25.000.000
20.000.000
15.000.000
10.000.000
5.000.000
0
Mon | Thu | Wed | Thu | Fri | Sat | Sun | ||
2019 Tickets | 2018 Tickets | |||||||
Source: Cinetel Annual Report 2019 | 28 |
5. PRODUCTION
Lotus business model hedges its risks pre- covering production budgets
Production
Project identification
Cost coverage | Commercialization |
Production
and co-production
Cost covered by pre-sales of rights, international sales, tax credit, governmental and regional incentives, equity
Perpetual sale of content across all distribution channels
Library build-up as rights are retained
Selection of director
and cast
Executive Production
Sign agreements
with all key players
Costs entirely up-fronted by the client
Lotus receives a fee and a bonus depending on box office (plus other incentives)
No balance sheet nor P&L risk
Sale of the entire product to a single client
Little or no rights are retained
Executive Production services for international
producers
Many projects already completed | 30 |
Our investment criteria in movie production
Stand-out
We focus on products which can be immediately recognized by the audience (director, cast, story, etc.)
Financial discipline
No cash-out until all movie costs are covered
Marketability
Commercial appeal is the key driver
Internationalization
Products that can be sold outside national borders are of particular interest
31
A Solid contracted pipeline
Paolo
Genovese
- Exclusivity agreement as screenwriter and director
Gabriele
Muccino
- Exclusivity agreement as screenwriter and director
Paolo
Virzì
- Exclusivity agreement as screenwriter and director
Nicola Abbatangelo
- Exclusivity agreement as director
Stefano
Sollima
- Exclusivity agreement as director
32
6. 2019 RESULTS AND 2020 -
2021 TARGETS
2019 Financial highlights
(€/m) | 2019E (1) | 2019A (2) | Δ% | ||
Revenues | 65,3 | 70,2 | 4,9 | 7,5% | |
EBITDA | 25,9 | 29,0 | 3,1 | 12,0% | |
EBIT | 6,6 | 2,2 | -4,4 | -66,9% | |
Net Income | 4,3 | 1,0 | -3,3 | -76,0% | |
Net Financial Position/(Cash) | 57,6 | 65,3 | 7,7 | 13,4% | |
Net Debt / EBITDA | 2,2 | 2,3 | 0,0 | 1,2% | |
Total releases (#) | 19,0 | 17,0 | -2,0 | -10,5% | |
Distribution | 16 | 15 | -1,0 | -6,3% | |
Production | 3 | 2 | -1,0 | -33,3% | |
Investments | 29,9 | 35,6 | 5,7 | 19,1% |
(1) IFRS, audited | 34 |
2019 EBITDA and EBIT generation(1)
€ ml
(1) IFRS, audited
EBITDA: 29 ml
EBIT: 2,2 ml
35
2019 financial structure (1)
€ ml
Net working capital | Equity |
Advances
Assets
Net debt
Other debt
(1) IFRS, audited | 36 |
Our targets for 2021
(€/m) | 2020E | 2021E | CAGR | ||||
Revenues | 62,0 | 100,2 | 9% | ||||
EBITDA | 27,6 | 50,4 | 15% | ||||
EBIT | 1,2 | 6,5 | 31% | ||||
Net Income | -0,9 | 4,2 | 42% | ||||
Net Financial Position/(Cash) | 69,7 | 73,0 | |||||
Net Debt / EBITDA | 2,5 | 1,4 | |||||
Total releases (#) | 7 | 21 | 4% | ||||
Distribution | 6 | 15 | 0% | ||||
Production | 1 | 6 | 19% | ||||
Investments | 34,0 | 54,1 | 24% |
The Group assumes a situation of the Covid 19 pandemic substantially stable in 2020 and normalizing in 2021. This is reflected in the hypothesis of low theatrical revenues in 2020 and average theatrical revenues in 2021. It is also assumed that there are no impacts on the productions. If, on the other hand, the pandemic were to continue in an important form also in 2021 and if the productions were to be severely impacted by Covid, this would worsen the Group's result.
37
2021 targets by business
(€/m) | 2020E | 2021E | |
Revenues | 62,0 | 100,2 | |
Distribution | 22,4 | 30,1 | |
Production | 39,6 | 70,1 | |
Ebitda | 27,6 | 50,4 | |
Distribution | 14,7 | 20,4 | |
Production | 12,9 | 30,0 | |
Ebit | 1,2 | 6,5 | |
Distribution | -0,1 | 3,2 | |
Production | 1,3 | 3,4 |
38
Comparison with 2019 business plan
previous business plan | current business plan | ||||
(€/m) | 2019A | 2020E | 2021E | 2020E | 2021E |
Revenues | 70,2 | 91,1 | 105,9 | 62,0 | 100,2 |
Distribution | 36,0 | 37,7 | 44,1 | 22,4 | 30,1 |
Production | 34,2 | 53,4 | 61,8 | 39,6 | 70,1 |
Ebitda | 29,0 | 42,6 | 47,9 | 27,6 | 50,4 |
Distribution | 20,9 | 20,9 | 26,4 | 14,7 | 20,4 |
Production | 8,1 | 21,6 | 21,4 | 12,9 | 30,0 |
Ebit | 2,2 | 9,1 | 10,8 | 1,2 | 6,5 |
Distribution | 1,7 | 3,1 | 3,0 | -0,1 | 3,2 |
Production | 0,5 | 6,0 | 7,8 | 1,3 | 3,4 |
The drop in revenues, Ebitda and Ebit in 2020 compared to the 2019 business plan is mainly due to Covid 19, which delayed the production activities and reduced the revenues both for the production activities and the distribution activities. In 2021 revenues, Ebitda and Ebit in Distribution are expected to be lower than in 2019 Business Plan, again due to the Covid 19, which affected not only the theatrical revenues, but also the other channels revenues. Production revenues and Ebitda in 2021 are higher compared to the 2019 business plan, due to production in 2021 of activities initially expected in 2020, 2021 Production Ebit is lower due to the impact of Covid 19 on margins (lower sale of tickets and higher production costs).
39
Distribution
(€/m) | 2020E | 2021E | |||
Theatrical Releases (#) | 6 | 15 | |||
Theatrical Revenues | 4,0 | 7,1 | |||
Sale of Rights | 1,9 | 2,1 | |||
Free TV | 5,2 | 7,6 | |||
Digital + Pay-TV | 10,0 | 12,4 | |||
Home Video | 0,9 | 0,6 | |||
Others | 0,4 | 0,4 | |||
Revenues | 22,4 | 30,1 | |||
P&A and Other Costs | (7,6) | (9,7) | |||
EBITDA | 14,7 | 20,4 | |||
Amortizations | (14,8) | (17,3) | |||
EBIT | -0,1 | 3,2 | |||
40
Production
(€/m) | 2020E | 2021E | |
Productions | 1 | 6 | |
Revenues | 39,6 | 70,1 | |
Production, Corporate & P&A costs | (26,7) | (40,1) | |
EBITDA | 12,9 | 30,0 | |
D&A | (11,6) | (26,7) | |
EBIT | 1,3 | 3,4 | |
41
Executive Production
Our 2020 - 2021 expected theatrical releases
2020 | 2021 | |||
o 1917 | o | 355 | ||
o | Missing Link | o | Bios | |
o | Instrumental | |||
o After 2 | ||||
o | o | Rich Old Broads | ||
Saw Legacy | ||||
o | Unhinged | o | Larry | |
o Words Written on a bathroom | o | Ruin | ||
o Let There Be Rock | ||||
Distribution | Walls | |||
o | Come Away | |||
o | The Minute Man |
o Hipnotic
o The Wolf and the Lion
o Chaos Walking
o Cash Truck
o Luis Wain
o Gunpowder
o Gli anni più belli | o | Supereroi | |
o | Matrimoni | ||
Production | o The Land of Dreams | ||
o Tutta Colpa di Freud - La Serie | |||
o | Alfredino Rampi | ||
o Primo Giorno Della Mia Vita |
42
A lifetime commitment
DISCLAIMER
This presentation contains certain forward-looking statements that reflect Leone Film Group S.p.A. ("LFG") management's current views with respect to future events and financial and operational performance of the company and its subsidiaries. These forward-looking statements are based on LFG's current expectations and projections about future events. Because these forward- looking statements are subject to risks and uncertainties, actual future results or performance may differ materially from those expressed in or implied by these statements due to any number of different factors, many of which are beyond the ability of LFG to control or estimate precisely, including changes in the regulatory environment, future market developments and other risks. You are cautioned not to place undue reliance on the forward-looking
statements contained herein, which are made only as of the date of this
presentation. LFG does not undertake any obligation to publicly release any updates or revisions to any forward-looking statements to reflect events or circumstances after the date of this presentation. This presentation does not constitute a recommendation regarding the securities of LFG.
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Leone Film Group S.p.A. published this content on 29 September 2020 and is solely responsible for the information contained therein. Distributed by Public, unedited and unaltered, on 09 October 2020 15:04:04 UTC